Solving the inner portions of the Piacenza Liver

As promised, I want to share some new ideas concerning the Piacenza Liver (see pic here). The Piacenza Liver is an Etruscan bronze model used for haruspicy (i.e. divination using sheep's livers) for those that aren't familiar with it. Despite the fact that this object was retrieved in 1877, the full meaning of this object and its relationship to Etruscan mythology remains an infuriating mystery. Perhaps I'm an impatient fellow but as far as I'm concerned, there are many mysteries that strike me as not being true mysteries, but rather artificial mysteries that our society holds onto like a security blanket against the "fear of the known" that presumably makes life more dull. As for me, I can't resist a good puzzle to solve, so to each one's own.

I'll just cut straight to the chase of my overall thoughts on this subject with a graphic here below:



Maybe this seems a little Dumezilian, however I notice that the inner portion of the artefact can be arranged into three equal parts that may relate to a tripartite world-view of celestial, earthy and infernal worlds. This would then imply that the wheel like structure of six portions may relate to the underworld while the deities next to the "mountain" on the other lobe of the liver may relate to the goings-on of the heavens. In the center, where we find the heroic demigod Heracle and an unknown deity named Methlumth (n.b. meθlum means "people"), priests may have prophecized more on matters of the physical, earthly world of humankind.

I have a lot more to say but chew on that for a while. I'll be back.

Itching to crack the Piacenza Liver soon

Sorry that I've been busy, everyone. However I have a fresh entry just itching to be written about the Etruscan Piacenza Liver, a bronze model of a sheep's liver created for the ritualistic practice called haruspicy in order to divine the future. It's clear that this quirky practice originated from the Near East and there are similar Babylonian liver models fashioned many centuries preceding Etruscan civilization that I've compared on this blog before. The only tricky part is the fact that the Etruscan liver model and the Babylonian counterparts don't seem to coincide very nicely together aside from some general similarities. I've never found any author who has adequately explained the entire significance of this Etruscan artefact in ritual and mythology. Explanations are always vague with little to offer, not even a plausible theory.

That being said, after obsessing over it this past week, I noticed some new and interesting patterns that I want to share with everyone involving the mysterious interior sections marked with names of deities. While the outer border is plainly representive of the 16 directions of the cosmos, the inner sections seem to be connected to less well-known mythological structures or concepts that are important nonetheless to our understanding of Etruscan world-view. On one lobe of the liver there is a circular structure of six deities while on the other lobe there appears to be a mountain-like structure under which lie eight deities. Then there is a central flat section which doesn't seem to be connected to the two opposing, aforementioned structures as well as a fourth, the teardrop structure corresponding to the gall bladder which is allotted to four more deities.

My question is this: What do these structures signify and why are they placed in this way?

Well I think I have a lot to say on this now. Teehee! So stay tuned and in the meantime see if you readers can make sense of the Piacenza Liver inscriptions as pictured above.